A film from the album launch at The Edinburgh Caves
Archives for February 2020
“The Inventor is, in short a virtuosic performance that eschews fireworks in favour of craft, the various musical worlds it inhabits – Scottish, European, folk and classical – combining in a cohesive musical statement which, while seeking less to dazzle than to seduce, often succeeds in doing both”
“For sheer spaciousness and atmosphere, we are in the territory of The Gloaming, and there are few more fulsome compliments than that”.
The Inventor – NORMAN MACKAY
Private Label CAWCD002
A full album of largely unfamiliar Scots accordion-led tunes might sound a little too much of agood thing for some, but this is quality stuff. Mackay, originally from the Highlands but now based in Glasgow, has surrounded himself with exceptional musicians. If the squeezebox generally takes the lead, there is plenty of room for other members of the team to shine. Sometimes he uses a conventional string quartet line-up, elsewhere he employs other configurations, including generous helpings of fiddle and violin. Interestingly, to me at any rate, he draws a distinction between the two. No matter, he and his troop create a gloriously varied soundscape. For sheer spaciousness and atmosphere, we are in the territory of The Gloaming, and there are few more fulsome compliments than that.
The title track is fittingly strong, whilst Monachil Waltz is one of a number of tracks to use trumpet, in this case to conjure up a distinctly Spanish vibe. Another add-on worth a mention is the double bass playing of Duncan Lyall. It’s a rich mix, never more so than when the ensemble plunges headlong into Disco’s Inferno – reminiscent of early Sharon Shannon. It’s all very, well, for want of a better word, inventive. Take, for instance, Gellatly’s March, where the strings and things are joined by Lorne MacDougall on bagpipes and the Edinburgh Singers Choir.